Zhao Gang was the youngest member of the Stars Group, participating in some of post-1949 China’s earliest modern art exhibitions before embarking on anextended sojourn in Germany and New York. He returned to Beijing in the years before the Olympics, armed with an intuitive understanding of the absurdity of his own class position and historical fate, and deeply amused by the idea that, in China today, there is still room for a history painter with his dark sense of irony.
UCCA invites Zhao Gang and Curator/Critic Bao Kun—the two were familiars in the April Photography Society—to disucssthe legacy of imperial systems, political and aesthetic;the inevitability of death; and the awkward position of the artist and hisfraughtmedium of painting.
Language:Chinese only
Ticketing & Participation:Free
Note
*Collect your ticket from reception 30 minutes before the event begins.
* Please no late entry.
Zhao Gang
(b. 1961, Beijing) made his artistic debut as a member of the Stars Group, one of the first avant-garde artist groups to open the era of contemporary art in China, when he was just 18 years old. Shortly thereafter he pursued formal art education in Europe then New York, where he lived for over two decades,developing a diverse body of work as his perspective becamedistinctively international. Over the course of his wanderings, Zhao Gang has been featured alongside prominent Chinese painters Liu Wei and David Diao; participated in PERFORMA, the Guangzhou Triennial, and the Yokohama Triennial; presented his solo exhibition “Sick Man” at the Today Art Museum in Beijing; and exhibited elsewhere in the United States, Germany, China, France, and Japan. Since returning to Beijing in 2004, Zhao Gang has turned his ever-expanding focus toward the entanglement of his personal past with Chinese history and his unique position, at once a native and a newcomer, in China today.
Bao Kun
Critic, curator.