What kind of space exists between art and commerce?
Throughout history, the concept of space has been a central subject of philosophical inquiry. In the 18th century, Immanuel Kant, the father of German classical philosophy, referred to 'space' as a subjective 'pure form of a priori intuition' in his Critique of Pure Reason. This perspective overturned the traditional philosophical notion of space as an objective reality, instead redefining it as part of the cognitive structure of the subject or individual, a product constructed from the framework of human perception.
This transformation redefined not only physical spaces, but the role of commodities. Goods became more than mere objects of consumption, acquiring deeper cultural significant as carriers of emotions and culture. The interaction between art and commerce evolved into a symbiotic relationship, where the merging of the two resemble “dimensional folds," symbolizing the intertwining and reconfiguration of ideas, culture, and design. As a pioneer in exploring the rich possibilities between art and commerce, Bailian Group is committed to harmonizing these elements for more vibrant and sustainable forms of "space."
The 2024 Best-Links booth, presented by UCCA Lab under UCCA Center for Contemporary Art, centers on the concept of "folding dimensions" and explores the infinite spatial possibilities within commercial environments. The booth's design utilizes reusable modular components that continuously shift in acts of “folded constructs," reflecting the fluidity of the concept and inviting visitors to explore and wander freely. Drawing inspiration from modern product design aesthetics, the exhibition narrative is structured around three key themes: art, design, and fragrance culture. This exhibition aims to reveal the artistic spaces within commodities, showcasing the infinite possibilities of "space production" through the diverse forms of goods. Suspended above the exhibition space is a newly commissioned artwork titled HALO, created through the intertwining and folding of thousands of steel wires to form the trajectory of light over time. Artist Yang Song uses 'light,' a symbol of hope, to explore the relationship between speed and eternity, attempting to portray an infinite space sketched through the rapid folding of motion.
In the "folded dimensions" between art and commerce, new spaces continually emerge, expanding not only the physical boundaries of commerce but also its spiritual potential. The infinite spaces created between the folded layers of perception symbolize ongoing innovation and transformation. The fusion of art and commerce not only addresses today’s consumer market, but also envisions a future rich in meaning and emotional depth.
Yangsong
Yang Song (b.1987, Liaoning Province) graduated from the Sculpture Department of the Central Academy of Fine Arts in 2013. He currently works and lives in Beijing.
Yang Song’s sculptures are closely linked with traditional Chinese culture. His artistic practice reflects his own struggle between personal identity and social relations. An extroverted introvert, Yang Song possesses profound understanding of religion and philosophy. In recent years, he has also tried various media beyond sculpture, such as images and installations. Yang Song is passionate about freedom, speed, and adventure, and infuses his travel experience into his creation process. Most of his works tend to explore themselves in order to approach and uncover the essence of life.
Charles Rennie Mackintosh
Charles Rennie Mackintosh was one of the most important British architects, designers, and artists of the late 19th and early 20th centuries. He was a pioneer of the Glasgow School and a key figure in the development of modern architecture and design. Mackintosh's work spanned a wide range of disciplines, including architecture, furniture design, graphic design, and studies of landscapes and flowers.
Mackintosh lived during a period of transition from the Arts and Crafts movement, Art Nouveau, and Art Deco to Modernism, while also being influenced by the integration of Eastern art into Western artistic practices. In this context, the concept of holistic design, the principle of harmonizing form and function, and the use of simple lines and color blocks drawn from nature became increasingly prominent.
His work is characterized by clean lines, elegant proportions, and natural motifs, blending the decorative style of Art Nouveau with the simplicity of Eastern art and the functionality of Modernism. As a leading advocate of the British Art Nouveau movement, Mackintosh skillfully combined simplicity with poetic details, leaving a profound influence on European design, particularly in the Vienna Secession and Modernist movements.
Lu Zhuojian, a graduate of the Architecture Department of the Central Academy of Fine Arts, is a cross-disciplinary installation artist and architect. In 2021, he founded the Zhuojian Design Studio, dedicated to exploring the harmonious symbiosis between humans and nature, as well as humans and space. By ingeniously integrating natural elements with spatial structures, he infuses his works with life and vitality with prefabricated techniques. Proficient in architectural design, interior design, installation design, and exhibition design, Lu Zhuojian adheres to natural construction methods and sustainable design principles. With design as the medium, assembly as the technique, and innovation as the soul, he creates remarkable spatial experiences that transforms each project into a distinctive work of art.
Shen Ruofan
Shen Ruofan (b. 1984, Beijing) is a graduate of the Ecole Spéciale d'Architecture in Paris. In 2010, he founded his own architecture practice. in 2019, Shen then partnered with Yusuke Kinoshita to re-launch his Paris-based architectural practice, now known as ARCHIEE.
ARCHIEE in Paris currently focuses primarily on non-construction projects, placing the logic of architectural design at the intersection of different disciplines. Through this exploration and understanding of diverse industries, the firm utilizes architectural language to articulate the relationships between society, space, function, and humanism.